By Gunnar Bucht
In most cases talking, the philosophy of tune hitherto should be acknowledged to method song, because it have been, from above or from outdoor. tune, therefore envisaged, may be «absolute» or «sounding types in motion». it may be expression, have a linguistic which means, inform a narrative, be a manifestation of «the international as will and conceptualization», and replicate society’s inward contradictions. tune is noticeable as an task, occasionally as interactivity, now not least via an anthropological technique during which prominence is given to its origins. This paintings is an try and opposite the argument, by way of taking the phenomenon of tone because the place to begin to paintings the way in which as much as an figuring out of the phenomenon of track, to make a philosophy of tone the root of a philosophy of tune. Such recommendations have been already found in the author’s earlier works, yet, being to be had simply in Swedish, should be enlarged the following.
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Additional resources for Aeolian Harp: An Essay Concerning the Nature of Tone
Things grow smaller if distance increases, and viewed from the air they look different. Things in the foreground conceal those in the background. Through perspective, things are ordered according to nearness and distance in relation to man in the centre of his space. Thus horizon and perspective belong together. Perspectives arrange things within the horizon, while the latter imparts stability to the former. These terms can also be used metaphorically, as in “spiritual horizon”, “new perspective” and so on.
Eventually the original meaning, “place”, lapsed into oblivion and thoughts turned instead to God’s omnipresence without any limitations of space. In Psalms 139:7–9, we read: “Whither shall I go from thy spirit? or whither shall I flee from thy presence? If I ascend up into heaven, thou art there; if I make my bed in hell. behold, thou art there. ” In the Rabbinic scripture Midrash Rabbah we find the following statement: “He is the place of the world… We do not know whether G-d is the place of His world or whether His world is His place.
This gives us Newton’s “absolute space”, the alternative to which is Leibniz’s interpretation of space as relations between objects. In modern times, Einstein propounds the theory of relativity, abolishing the notion of an absolute space. Last of all, does space exist as an independent phenomenon? Is it not in fact a way of perceiving reality, in Kantian terminology a form of intuition? Thus far Filosofilexikonet. A number of reflections spring to mind. The systematisation of different perceptions of space is fundamentally based on a long historical development condensed in the form of a dictionary article – understandably enough.
Aeolian Harp: An Essay Concerning the Nature of Tone by Gunnar Bucht